A slave with a pitcher. Sketches of scenery and costumes for the tragedy of Oscar Wilde “Salome”. Moscow Chamber Theatre (Alexandra Exter)

A slave with a pitcher. Sketches of scenery and costumes for the tragedy of Oscar Wilde "Salome". Moscow Chamber theatre

Alexandra Exter

A slave with a pitcher. Sketches of scenery and costumes for the tragedy of Oscar Wilde “Salome”. Moscow Chamber theatre

A slave with a pitcher is a work painted by Alexandra Exter as part of the sketches of scenery and costumes for Oscar Wilde’s tragedy “Salome” at the Moscow Chamber Theatre. The work shows a slave carrying a pitcher, on a stage that reflects the exotic atmosphere of the story. Exter uses vibrant colors and elegant lines to capture the mysterious and dramatic essence of the theatrical work.

When was the painting A slave with a pitcher. Sketches of scenery and costumes for the tragedy of Oscar Wilde “Salome”. Moscow Chamber theatre painted?

The painting A slave with a pitcher was painted at the Moscow Chamber Theatre during the 1910s.

Artistic style of A slave with a pitcher. Sketches of scenery and costumes for the tragedy of Oscar Wilde “Salome”. Moscow Chamber theatre

The style of A slave with a pitcher reflects the influence of early 20th century Russian avant-garde. Alexandra Exter combines elements of Cubism and Futurism with an intense color palette to create dynamic forms and compositions that reflect the modernity and experimentation of the era.

History of the painting ‘A slave with a pitcher. Sketches of scenery and costumes for the tragedy of Oscar Wilde “Salome”. Moscow Chamber theatre’

The painting A slave with a pitcher was part of Alexandra Exter’s collaboration with the Moscow Chamber Theatre for the production of Oscar Wilde’s “Salome.” Exter’s painting stood out for its innovative approach to set and costume design, integrating elements of modern art with the dramatic needs of the theatrical work. Her work with the Moscow Chamber Theatre had a lasting impact on the world of theater and art, becoming a reference point for experimentation and creativity in theatrical scenography.

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