Frescoes from the Bartholdy House: Selling Joseph by His Brothers. Berggruen Museum, Berlin. (Johann Friedrich Overbeck)

Frescos de la casa de Bartholdy: vendiendo a Joseph por sus hermanos. Museo Berggruen

Johann Friedrich Overbeck

Frescos from the Bartholdy house: selling Joseph by his brothers. Berggruen Museum, Berlin

The painting Frescos from the Bartholdy house: selling Joseph by his brothers painted by Johann Friedrich Overbeck is located in the Berggruen Museum in Berlin. This work depicts a biblical scene in which Joseph’s brothers sell him as a slave, a passage from the Book of Genesis.

The composition of the work stands out for its drama and the expression of the characters, capturing betrayal and anguish on their faces. The color palette used by Overbeck helps create an intense and moving atmosphere.

The technique used by the artist in this work combines detailed realism with symbolic elements, adding depth and complexity to the visual narrative of the scene.

When was the painting Frescos from the Bartholdy house: selling Joseph by his brothers. Berggruen Museum, Berlin painted?

The painting Frescos from the Bartholdy house: selling Joseph by his brothers by Johann Friedrich Overbeck was painted in the 19th century, during the Romantic period.

Artistic style of Frescos from the Bartholdy house: selling Joseph by his brothers. Berggruen Museum, Berlin.

The artistic style of the work Frescos from the Bartholdy house: selling Joseph by his brothers is characterized by its narrative and emotional approach, as well as the combination of realism and symbolism that creates a striking representation of the biblical story.

History of the painting Frescos from the Bartholdy house: selling Joseph by his brothers. Berggruen Museum, Berlin.

The work Frescos from the Bartholdy house: selling Joseph by his brothers was commissioned by the Bartholdy family to decorate their residence in Berlin. Its creation was surrounded by controversy due to the emotive and raw depiction of the biblical scene, which sparked discussions about the artistic and religious interpretation of the work.

Despite initial criticism, this work became one of Johann Friedrich Overbeck’s most recognized pieces and had a lasting impact on 19th-century art history, contributing to the evolution of Romanticism in European painting.

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