The Madonna and Child. The central panel of the Polyptych of Saint Anthony. (Piero della Francesca)

La Madonna y el niño. La parte central del políptico de San Antonio.

Piero della Francesca

The Madonna and Child. The central part of the San Antonio polyptych. painted by Piero della Francesca

La Madonna and Child is the central part of the famous San Antonio polyptych painted by Piero della Francesca. In this work, the artist depicts the Virgin Mary holding the Child Jesus in her arms, surrounded by angels and saints in a celestial setting.

The composition of the painting is characterized by the harmony of the figures, the symmetry, and the serenity it conveys. The color palette used by Piero della Francesca reflects his mastery of the sfumato technique, creating a soft and ethereal atmosphere.

La Madonna and Child is an emblematic work of the Italian Renaissance, notable for its elegance and compositional balance. The portrayal of the Virgin and Child as divine and timeless figures has fascinated viewers and critics throughout the centuries.

When was the painting The Madonna and Child. The central part of the San Antonio polyptych painted?

The painting The Madonna and Child, central part of the San Antonio polyptych, was painted by Piero della Francesca in the 15th century, between the years 1454 and 1469.

Artistic style of The Madonna and Child. The central part of the San Antonio polyptych.

The artistic style of the painting The Madonna and Child, central part of the San Antonio polyptych, is framed within the Italian Renaissance, standing out for the geometric precision of the forms, the serene atmosphere, and the use of sfumato to create luminous effects.

History of the painting The Madonna and Child. The central part of the San Antonio polyptych.

The history of the painting The Madonna and Child, central part of the San Antonio polyptych, is marked by the artistic excellence of Piero della Francesca and its influence on the development of the Renaissance in Italy. This work has been an object of admiration and study for its aesthetic quality and deep religious symbolism.

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